Tag Archives: “Claire King”

My top five reads of 2016

10 Jan

I was surprised to realise that I didn’t revisit any books in 2015. I don’t mean those books I read and then read to Mrs Van but old favourites. To make up for it this year I managed two: Chinua Achebe’s wonderful Things Fall Apart and Sylvester Stallone’s compelling Paradise Alley. You might think we’re looking at opposite ends of the spectrum there but actually there’s a good deal of similarity in terms of character arcs. And if you are thinking that we’re looking at opposite ends I’d urge you to be surprised and seek them both out. Good stories are good stories no matter who tells them.

I also said I was going to try and read more diversely in 2016 but in the end I don’t think I did. Gender-wise, three quarters of my reading was written by women but probably only about 10% of my reading was ‘non-white’. I think this year I should just aim to read a bit more than last year. That would be a good place to start.

I gave up on three books last year (two more than the year before). One of those books got shortlisted for the Costa First Novel award and another is, I think, currently in the Times bestseller lists. So what do I know! This is I think proof positive that you should never feel guilty about letting a book go. If it’s not working for you there will be something else that does. The only thing I’d say is don’t shoot it down for other people. There were also three that I finished but didn’t really get on with (and two of those have done very well for themselves, thank you, so again – what do I know).

But what about those I did like! Before I get into top tens and top fives let me mention Sceptre’s excellent short story collection How Much The Heart Can Hold. It’s a superb collection, well worth getting hold of and the kind of thing I’d love to see more of as a reader. It’s a great showcase for seven writers whose work you’ll likely be seeking out after reading their particular takes on the various aspects of love.

As ever, whittling down to a top ten is a difficult business. In fact, it was hard enough to get down to a top thirteen, but that doesn’t quite have the same ring to it. There were two or three absolute standout books for me (yes, I think this time a top three would actually have been quicker) so the tricky knot to unpick was which of that collection of seven or so brilliant books would creep into the top five. Laline Paull’s The Bees (which is undoubtedly Mrs Van’s favourite of the year), Shelley Harris’s Vigilante (which is probably Mrs Van’s other favourite of the year), Claire King’s heart-breaking Everything Love Is, Rebecca MacKenzie’s In A Land Of Paper Gods, Rebecca Mascull’s Song Of the Sea Maid and Janet Ellis’s singular debut The Butcher’s Hook all almost made the top five (see how I got away with a top 11 there!). I would wholeheartedly urge you to add these to your reading lists if you’ve not picked them up yet. They are all very different but they are all very, very good.

And so, in the order that I read them, here are my top five reads of 2016.

Back in January I had the great good fortune to meet up with The Chimes by Anna Smaill. It was the first book I read in 2016 and even then I knew it would have to be a very special year for it not to feature in my top 5 come the end. The world-building, the awareness of language, the characters, the story itself, it’s all supremely handled. It’s wholly accessible too. I’d have no problem recommending The Chimes to young young-adult readers. Anna was also kind enough to do a Q&A with me.

February brought a recommendation from Isabel Costello (author of Paris Mon Amour and curator of the literary sofa), Mend The Living by Maylis De Kerangal (translated by Jessica Moore). Isabel can always be relied upon to turn up an excellent French novel in translation and this was no exception. It is an extraordinarily powerful read, a forensic examination of what the heart is and what it represents. No surprise it was longlisted for the Man Booker International award.

On to July and I finally got my hands on a copy of The Essex Serpent by Sarah Perry. Definitely the prettiest book this year (the cover is gorgeous) it’s also a sumptuous read. The language is delightful, and so very quiet. It’s a sibilant whisper at your ear, at once engaging and unnerving. Waterstones made it their Book Of The Year 2016.

October brought a very special book my way. It’s not actually out until April 2017 but I can’t wait to hear what everyone else makes of it. These Dividing Walls by Fran Cooper might well prove to be one of those light-the-touch-paper-and-stand-back books. I’m guessing the word prescient is going to crop up a lot too. What I can tell is that it’s excellent. The characters are delightful or infuriating or charming or terrifying, each in their turn, and the story Fran Cooper weaves in and around them is glorious. I read it to Mrs Van recently and it was great to see her head nodding or shaking in all the same places as mine  did, and that page 183 had the same effect on her too.

November finally brought me round to We Are All Completely Beside Ourselves by Karen Joy Fowler, a book I’d been aware of for a while. The thing I was most glad about is that I’d managed to bypass all the hype that surrounded this book and its twist so that, when the twist came it brought with it all the impact the author surely intended. It’s one of those moments that acts like a fillet knife, peeling the book’s flesh all the way back to the bone so you can’t help but re-examine it. It’s not all about the twist though. The story is compelling and heart-breaking, the language is sublime, the way the whole novel hangs together is truly a thing to behold. It’s quite masterful.



Five very different novels this time, though each is expertly constructed and skilfully told. There is no doubt you’re in safe hands as a reader and that’s a luxury that really allows you to inhabit the stories, to get up close and feel the things these characters feel. Here’s to more of this in 2017!

Van has finished reading…Everything Love Is by Claire King

12 May


On his houseboat on the edge of Toulouse, quiet, careful Baptiste Molino helps his clients to be happy. For himself he maintains a calm existence and is content with his life, despite Sophie, the young waitress in his local bar, urging him to rediscover passion. But new client Amandine Rousseau is a puzzle he finds hard to unlock. Elegant, enigmatic – can he help her to find what she’s looking for without his own life capsizing?


Claire King’s Everything Love Is is a beautiful thing. The cover art is glorious, David Mann’s design working not only to pick up motifs from the story but to weave into the image a sense of what’s between those lovely covers. Look at it again when you’ve finished and you’ll know what I mean!

The story itself nestles into that quiet category. You might not think it from the opening chapter, which would stand as a short story in its own right, but this is a book that whispers in your ear. It’s gentle and persuasive and the further in you get the more it hugs you close. Take my advice and give yourself some good blocks of time – though the chapters are generally short you’ll appreciate it all the more taking time to devour it in large chunks. I don’t want to say too much about the story itself because that would be to give the game away – even getting into how good the characters are – but let me say that you’ll enjoy Amandine and Baptiste easily as much as you enjoyed Pea and Margot in The Night Rainbow, Claire’s debut novel.

The title is perfect, though that’s a conclusion I come to having finished the book. As with her writing, the further into the story you get, the sharper and deeper the connotation becomes. There’s a quote I would love to have included at this point, but I fear to do so will rob the reader of a little of the magic that’s waiting to be found. Maybe I’ll come back and add it in a couple years when it’s a bestseller.

It is a very moving story, and exquisitely structured. In another life I think Claire King might have made a good magician. As with The Night Rainbow, awareness of what’s really going on dawned on me in stages. There were suspicions and suppositions but when it comes to that point – when the structure clicks irrevocably into place – it’s a hand-to-the-heart moment. As to Claire’s sleight of pen, there is a moment on which the story turns that’s so innocuous I’d defy anyone to notice it first time around. It’s really nicely done.

Summer’s not far away now. If you’re thinking about your holiday books make sure this one’s on your list. It’s a book to really settle into and take your time with. And it’ll haunt you after the last page, too. If that’s not a sure sign of a great book I don’t know what is. I won’t be surprised to find it haunting me still come the end of the year when I’m thinking about my 2016 favourites.


Everything Love Is will be published by Bloomsbury on 28th July 2016 ISBN:9781408868423

You can find Claire on Twitter @ckingwriter and on her website, http://www.claire-king.com/


My thanks to Myfanwy at Bloomsbury for allowing me to review this lovely book.

Van has finished reading…The Night Rainbow by Claire King

13 Aug

Pea is a perfect protagonist. As idiosyncratic and relentlessly present as any child, I couldn’t help but feel for her. And that’s the key to why this book works for me. She appeals to the parent in us. She’s not only loveable, but she screams out for protection too. With every page turned I found myself crossing my fingers and hoping to God the myriad possibilities arising would pass her by. And all you can do is watch – and hope!

  If only life were that easy. I’m just glad I read on the commute home – I can blame the red eyes on tiredness.

There’s a knife-edge appeal to this very finely balanced book. I suspect it may be a bit marmite-esque in the responses it draws, and that’s all about Pea’s relentless voice. If you go with the voice you’ll love it. If you don’t…well. I happen to love it. I think it works in a very interesting way. It’s not (only) that Pea’s voice (and Margot’s too) is very distinct. It’s that it plays exclusively to our adult sensibilities. You have to care about Pea. You have to worry for her because if you don’t, who will?

I think Claire King has pulled off something quite special with Pea’s story. Give her a chance. She’s well worth the effort.