There’s a treat coming your way in the shape of Fran Cooper’s These Dividing Walls. In her own introduction, Fran says that she wanted to write about the real Paris rather than the image so many of us hold. I’ve never been to Paris but, having lived abroad for a time I can appreciate the distinction. I can also say that the Paris Fran Cooper shows us feels entirely real to me. It’s as much a character as the people who inhabit these pages, not dressed in her finery (or at least not always) but quotidian and vivid, and wholeheartedly laissez-faire.
The Walls of the book’s title are those that separate the inhabitants of number 37, a property made of two buildings – one a little (but only a little) more sheeshy than the other. There’s not much that escapes the attention of these proximate neighbours, though there’s plenty to distance them personally. And no matter how inquisitive they are there’s always a little secret to be kept here and there.
As to the characters themselves, they are superb. You will of course like some more than others – as you’re meant to. Perhaps you will, like me, give a little ‘yesss!’ when something happens that you’ve been hoping will happen to one or two of them (good or bad I won’t say but, if you’re wondering Fran & Emma, p183 of this proof!). Some may even feel like people you’ve actually met. I wish I could go through each one and tell you what it is I liked about them, what I hoped or feared – that’s how close I felt to them – but that would be to give the game away.
Although Fran Cooper tells us in her introduction that elements of These Dividing Walls started life as vignettes read at a Paris spoken-word club, don’t imagine this is one of those linked-short-story-collections-thinly-disguised-as-a-novel novels. This is a proper, layered start-to-finish novel with characters in action, evolving storylines and emotional journeys. There’s nothing unnecessary or incidental about events and interactions.
Any writer will be familiar with the exhortation to show-not-tell but in These Dividing Walls Fran Cooper gives us a perfect example of how an almost-telling style of writing can work. It verges on the conspiratorial, inviting the reader over to the wall with a glass in hand to listen in, points to certain things with a whispered ‘would you believe it?’ It makes a resident of us, and in so doing we’re invested in every drama, be they small or large.
Beyond the fact of the book’s location, beyond the premise that frames the characters we meet I think Fran Cooper has a lot to say about the way we live today, about the things that scare us and how we react to them. It makes the point, too, that events are never as far beyond us as we imagine, that the things happening around are often made up of ordinary people, and that people are never really all that ordinary.
Fran Cooper’s These Dividing Walls is one of the most enjoyable books I’ve read this year. It transported me to a sultry Paris arrondissement in the summer. It made me laugh, it made me smile, it brought a lump to my throat more than once and even made me cheer quietly. I really hope you’ll give it the chance to do the same for you. Make a note in your diary for April 2017.
These Dividing Walls will be published by Hodder in April 2017 ISBN:9781473641532
You can find Fran Cooper on Twitter @FranWhitCoop
My thanks particularly and especially to Emma Herdman at Hodder for knowing I’d love this book and allowing me to review it.